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Study of the properties of linen fabrics for the design of clothing decorated with embroidery
(2024) Skliarenko, Nataliia
The article is devoted to the research of principles of designing sewing products with embroidery from linen fabrics based on the properties of fabrics. The physical and mechanical properties of linen fabrics are studied: thickness, mass, surface density, stiffness, drapery, tearing elongation and tearing load. The relationship between the physical and mechanical properties of linen fabrics with or without the use of interlinings is established. The classification of types of embroidery techniques is given and recommendations are developed for choosing fabrics and threads for the manufacture of products decorated with embroidery. The complex of scientific research conducted is the basis for the development of recommendations for the selection of linen fabrics for the development of modern collections of women’s clothing models of various assortments with embellishments.
Peculiarities of Nanostructured Fabrics for Operation Under Thermal Impact
(2024) Skliarenko, Nataliia
The article considers the urgent issue of developing protective clothing for work in adverse conditions during ultra-high heat exposure. As found, the heat-protective military clothing insufficiently provides the necessary preservation and impedes the calculation of the maximum effective time of protective action under severe operating conditions. As shown, the nanotechnology in the creation of modern textile materials tends to grow in accessibility from the economic and technological point of view. Therefore, new capabilities have emerged for modelling technological processes carried out at the nanoscale level. The advancement of this area is fostered by the growing demand for the latest materials with fundamentally new properties. This up-to-date approach is being applied and further developed in the research laboratories of the Kyiv National University of Technologies and Design. As confirmed, in multilayer clothing, the amount of air layers between individual layers of materials is insignificant. In addition, the amount of air layers in the garment package, rather than in the package of materials of the corresponding garment components, is found to be more significant. This is the factor being relied upon in the development of complex types of overalls for critical applications. Design and practical approaches to the creation of effective thermal protective packages applying modern textile materials of the ‘advanced textiles’ class are proposed in order to reveal the possibilities of creating critical components and elements of clothing as a starting point for the development of types of heat-protective clothing
Research on an intelligent fan cultural sustainability design method based on CPO-CNN-LSSVM
(Springer Nature, 2026) Skliarenko, Nataliia
The integration of intangible cultural heritage (ICH) into innovative products is a key focus in the intersection of culture and technology. This study addresses the core challenge of balancing cultural authenticity with functional requirements in smart home systems, using the household smart fan as a case study centered on Miao ethnic culture. To this end, we developed a hybrid methodology: the Fuzzy Analytic Hierarchy Process (FAHP) was first applied to quantify user emotional needs and Miao cultural style weights. Fuzzy Quality Function Deployment (FQFD) then translated these needs into critical design features. Finally, the Crested Porcupine Optimizer-Convolutional Neural NetworkLeast Squares Support Vector Machine (CPO-CNN-LSSVM) algorithm was employed to model the complex, nonlinear relationships and predict optimal design solutions. Our results demonstrate that this integrated approach effectively identifies culturally significant design features that align with user emotions, ensuring that products meet functional demands while embodying cultural value. The proposed framework offers a sustainable and systematic pathway for cultural inheritance through smart product innovation.
Regional Innovative Design Strategies in the Shaping of Urban Visual Image in Shandong Province
(2026) Skliarenko, Nataliia
The article analyses regional strategies for designing the visual image of cities in Shandong Province. It proves that there is a need for a design approach aimed at promoting the level of artistic construction in cities, refining their image, and strengthening inter-city connections. Against the backdrop of increasing multi-city connectivity in the region, it is reasonable to form a visual image of the city in a broader spatial context. This study adopts an interdisciplinary approach, focusing on the holistic and synergistic way in which public art and architecture landscapes play out and form a synergy of design as important visual elements in urban spaces, within a regional perspective. This paper argues that existing research often studies public art separately from architecture landscapes, and focuses primarily on the separate design expressions of these two in case urban spaces. However, there is still a lack of a systematic design discussion at the regional level that focuses on the synergistic relationship that the two play in the city’s visual image. Considering these factors, this paper develops a synergistic public art-architecture landscape design model that can act on a regional scale from the standpoint of the spatial pattern of multi-cities coexisting in Shandong Province. Three major metropolitan areas of the province were considered as spatial objects of design analysis, and their design manifestations were studied. The three design strategies in the model, Structural Order-Oriented type, Landscape Narrativity-Oriented type and Adaptive Growth-Oriented type. They support each other and act as the core level influencing the way the inputs and outputs of the upper and lower levels are produced. Research indicates that this model can integrate the regional synergistic relationship between public art and architecture landscapes within a unified framework. These types of design strategies ensure the formation of an urban visual image in different environments, providing new ideas for regionalisation and systematic design of the urban visual image
Features of the Collaborative Design of Text and Icons in Signage for Child-Friendly Spaces
(2026) Skliarenko, Nataliia
This paper takes the collaborative relationship between text and icons in signage for child-friendly spaces as its research object, focusing on sign design in children’s hospitals, children’s libraries, children’s museums, and related public service and play environments. Unlike existing studies, which have largely approached the issue from a single perspective such as children’s cognition, environmental wayfinding, text readability, or icon recognizability, this study regards text and icons as interactive elements within the same unit of information. From the perspective of their collaborative relationship, it examines their combined role in spatial recognition, information comprehension, and experiential guidance in children’s spaces. The study adopts a combination of case analysis, comparative analysis, and visual induction, and constructs an analytical framework consisting of the formal dimension, semantic dimension, and guidance dimension. On this basis, a comparative study was conducted on nine representative cases of signage in child-friendly spaces. The findings show that the interaction between text and icons in such signage can be mainly summarized into three types: confirmation-oriented, semantic-cohesive, and experience-participatory. These correspond respectively to three core needs: rapid recognition, stable understanding, and active approach. Overall, effective collaboration is not primarily manifested in the synchronized formal transformation of text and icons at the level of visual styling, but rather in a configurational form of collaboration. In this relationship, text provides a stable framework for reading and hierarchical order, while icons assume the functions of differentiated identification, semantic cueing, and situational participation. This study provides an analytical and practiceoriented research framework for the design of signage in child-friendly public spaces, and also offers a reference for optimizing text organization, icon configuration, and text–image relationships in contemporary children’s spaces
Conceptual Foundations of the Design of Multimodal Symbolic Systems for Children’s Spaces
(2026) Skliarenko, Nataliia
Purpose. This article clarifies the conceptual foundations for designing multimodal symbolic systems in children’s spaces. It interprets the Perception–Action– Feedback (PAF) cycle as a design structuring logic and uses that logic to explain how visual, tactile, and auditory cues can work together as one spatial communication system. The aim is to show how multimodal cues can be organized coherently in child-centred environments. Methodology. The study adopts a systematic design-research approach that combines conceptual analysis, a synthesis of recent work on multimodal wayfinding and experiential graphic design, and a comparative reading of built cases. Three documented cases from museum and healthcare settings are examined to map how cue hierarchy, spatial sequencing, and confirmation mechanisms are structured through the PAF lens. The analysis is interpretive and design-oriented rather than experimental. Results. The article defines multimodal symbolic systems as spatial communication infrastructure and frames multimodality as coordinated cue organization rather than simple sensory layering. It develops a design-oriented reading of PAF in which perception supports identity and legibility, action supports movement and decision-making, and feedback supports confirmation and recovery. From this, the study derives a concise set of design implications and shows, through three cases, how the framework can be used to compare system organization across different children’s environments. Scientific novelty. The study reinterprets PAF as a design logic for multimodal symbolic systems and brings together a system-based account of identity, legibility, sequencing, and confirmation in children’s spaces. It also shifts discussion away from isolated cue variables toward the coordinated organization of symbolic environments. Practical relevance. The study offers a design-oriented framework that can support the planning and evaluation of multimodal symbolic systems in children’s spaces. Its results may be useful for designers, educators, museum planners, and healthcare professionals involved in shaping child-centered environments, particularly when organizing cue hierarchy, route sequencing, and confirmation mechanisms across different spatial settings.
Digital Transformation of Chinese Traditional Textiles: the Practice of Creating Generative Design Systems
(2026) Skliarenko, Nataliia
This paper proposes a practice-based framework for the digital transformation of Chinese traditional textile patterns. A methodological approach that combines digital tools with semiotic logic is outlined for heritage design patterns’ re-interpretation in contemporary practice-based design contexts. The approach fulfils a need for generative design and cultural relevance. This study employs computational design methodologies in conjunction with design semiotics to develop digital models which transform traditional patterns into a developed grammar of form through a process of computational deconstruction and encodement. The research is presented through a series of case studies which explore the methodology’s feasibility, generative potential and cultural integrity. Expert interviews and a visual preference test validate findings drawn from the research. The research results from the utilization of a parametric methodology in the design of patterns, generated with specific structural rules and varied by specific variables. The results show how technology was utilized in the culturally sensitive design for the local cultural user, more importantly the results show the enormous diversity of designs that can be generated whilst still working within the cultural remit and cultural user needs. This study develops a systematic generative approach to textile design, moving traditional and time-consuming manual replication to a computational method of design synthesis. Most importantly, novelty of this research is in establishing a connection between semiotic encoding of cultural data and parametric modelling for generation of modern textiles that function according to the logic of the culture studied. The framework provides an efficient, scalable toolkit for the fashion and digital media industries to revitalize traditional motifs. It resolves the conflict between cultural authenticity and design efficiency, offering a replicable model for the sustainable digital preservation and creative industrialization of intangible cultural heritage in a global context.
Model of Transforming Traditional Cultural Symbols into Dynamic Visual Images in the Design of Museum Mobile Application Interfaces
(2026) Skliarenko, Nataliia
Amid the digital revolution, the rapid proliferation of mobile technology has opened up new possibilities for the digital transformation of museums. As vital platforms for user experience, cultural dissemination, and public education, museum mobile applications use digital interfaces to deliver rich cultural resources to a broader audience. Against this backdrop, dynamic visual imagery with its unique expressiveness and interactivity, has become a core element connecting traditional cultural symbols with user perception. Through the use of animation, video, and other dynamic visual techniques, these symbols are infused with new vitality, significantly enhancing the aesthetic appeal and artistic quality of the interface. At the same time, dynamic visual imagery creates immersive interactive experiences that stimulate users’ curiosity and interest in learning, while evoking emotional resonance, thereby enabling the reshaping and continuation of traditional cultural symbols within a digital context. Consequently, this study focuses on the innovation and optimization of museum application interface design, exploring how to transform traditional static cultural symbols into vibrant dynamic visual imagery. Starting from the principles of symbol transformation and combining literature reviews with case studies, the study systematically distills three key principles: cultural identity, narrative immersion, and emotional resonance. Building upon this foundation, the study innovatively constructs a design model comprising three layers: the Aesthetic Expression Layer, the Technical Interaction Layer, and the Emotional Experience Layer. This model serves as a systematic, interdisciplinary design framework grounded in semiotics, interaction design, and emotional psychology. It establishes a design pathway that progresses from the visual translation of traditional cultural symbols to the dynamic activation of interactive mechanisms, and ultimately to a deep emotional connection with users. It provides systematic theoretical support and design insights for the dynamic transformation of museum application interface design.
Ways of Integration of Traditional Chinese Embroidery in Modern Visual Design
(2024) Skliarenko, Nataliia; Cheng, Kai
Purpose of the studyis to identify innovative ways to integrate elements of traditional Chinese embroidery into contemporary visual design and its significance for cultural heritage and design innovation.Methodology.The research is systematic and interdisciplinary. The research methodology is based on a combination of historical and cultural analysis and the case method. The historical and cultural background of Chinese embroidery is studied through the analysis of literature, art historical and cultural analysis. The article analyses examples of the use of embroidery in modern design fields, including fashion, graphics, industrial design and digital media, which allowed us to assess the possibilities of their innovative integration.Results.It has been found that the modern use of traditional embroidery elements in various areas of design not only enriches visual images, but also plays an important role in the dissemination of culture and the development of creative thinking. The innovative application of embroidery elements in fashion design (as a decorative element, as a digital print, as a formative element of clothing), graphic (as a means of communication) and industrial design (as a functional element), digital media (as an audio-visual and sensory experience) and interdisciplinary integration not only demonstrates a wide range of possibilities for combining tradition and modernity, but also provides designers with new sources of inspiration.Scientific novelty.The article presents a new perspective on the understanding and use of traditional Chinese artistic crafts in contemporary design. Combining the cultural and artistic values of traditional embroidery with the needs of modern visual design opens up wide opportunities for innovative applications and interdisciplinary collaborations, promoting deeper integration of traditional elements into various design fields.Practical significance.This research opens up new opportunities for using traditional culture in contemporary design to preserve national identity. It will not only stimulate the creative thinking of designers, but also increase public awareness and respect for traditional culture, and promote the prosperity and synthesis of national traditions and design innovation. By preserving national culture and developing contemporary national aesthetic concepts, it ensures that traditional artistic resources remain relevant and influential in a globalised world.
Digital Redesign of Traditional Chinese Textile Patterns: a Synthesis of National Traditions and Innovations
(2024) Skliarenko, Nataliia
Purpose: the study explores the complexity of digitally transforming ancient Chinese textile patterns and allows identifying the stages of its digital redesign, blending national tradition craftsmanship with contemporary intellect. Methodology. A Systematic Exploration of Digital Redesign for Traditional Chinese Textile Patterns presents a methodical approach to investigating the potential of digitally redesigning traditional Chinese textiles. Using the method of historical and retrospective analysis provides a study of the history and origin of cultural references to traditional patterns. Art historical analysis of traditional ancient patterns requires researchers to make full use of previous records from history, literature, and visual works in order to understand the corresponding culture, social condition, and artistic world related to these patterns. Methods Archival research, Stylistic analysis, and Iconographic analysis and methods of digital redesign allow to outline ways of integrating traditional motifs into design practices, demonstrate their adaptability and ability to rethink their use in a digital environment. Forecasting method demonstrates the universal appeal of Chinese textile patterns in fostering creative bridges that uphold culture and promote good designs without boundaries. Results. It is proved in the work that traditional Chinese textile patterns have undergone changes over time, yet they have not entirely vanished in their transformation. This study outlines the author's approach to manufacturing innovation, which involves a structured, holistic process for producing contemporary designs using traditional national textile motifs, based on a redraft of cultural patterns. Five key stages of redesign of Chinese textile patterns are highlighted, such as Traditional Inspirations, Adaptation and Simplifications, Integration into Design Practices, Digital Transformation and Cross-Cultural Fusion. These stages extend beyond Chinese textiles, serving as a universal model for product development that incorporates traditional elements of national heritage. It ensures a seamless fusion of tradition and contemporary design. It also underscores the strength and durability of Chinese textile heritage, which illustrates its capability to pass down creativity for new forms in a world that is rapidly changing. The results highlight the importance of maintaining heritage while using modern technology. Scientific novelty. This work describes an original method of digital re-design for traditional textile patterns, based on a five-phased model. The research links each stage with its core and talks about how their commonality has significance to the more general conversation of cultural heritage preservation in contemporary design. It was proved for the first time that they serve as the foundation for a universal redesign protocol, equipping designers worldwide with knowledge and tools that enhance both cultural and digital design studies. Practical significance. The findings of this study have practical implications that can guide modern designers to steer their designs on the right path by preserving cultural heritage and, at the same time, incorporating new innovations. The study establishes the timeliness and sustainability of ancient Chinese textile art patterns in modern design practice. This not only enhances comprehension of traditional and historical culture, but also guides people’s efforts to protect national aspects in a world that is becoming more interconnected. By providing a universal framework, this study supports the creation of design products that maintain national identity while embracing the possibilities offered by digital technologies

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