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Постійне посилання зібранняhttps://repository.lntu.edu.ua/handle/123456789/3471

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Research on an intelligent fan cultural sustainability design method based on CPO-CNN-LSSVM
(Springer Nature, 2026) Skliarenko, Nataliia
The integration of intangible cultural heritage (ICH) into innovative products is a key focus in the intersection of culture and technology. This study addresses the core challenge of balancing cultural authenticity with functional requirements in smart home systems, using the household smart fan as a case study centered on Miao ethnic culture. To this end, we developed a hybrid methodology: the Fuzzy Analytic Hierarchy Process (FAHP) was first applied to quantify user emotional needs and Miao cultural style weights. Fuzzy Quality Function Deployment (FQFD) then translated these needs into critical design features. Finally, the Crested Porcupine Optimizer-Convolutional Neural NetworkLeast Squares Support Vector Machine (CPO-CNN-LSSVM) algorithm was employed to model the complex, nonlinear relationships and predict optimal design solutions. Our results demonstrate that this integrated approach effectively identifies culturally significant design features that align with user emotions, ensuring that products meet functional demands while embodying cultural value. The proposed framework offers a sustainable and systematic pathway for cultural inheritance through smart product innovation.
Regional Innovative Design Strategies in the Shaping of Urban Visual Image in Shandong Province
(2026) Skliarenko, Nataliia
The article analyses regional strategies for designing the visual image of cities in Shandong Province. It proves that there is a need for a design approach aimed at promoting the level of artistic construction in cities, refining their image, and strengthening inter-city connections. Against the backdrop of increasing multi-city connectivity in the region, it is reasonable to form a visual image of the city in a broader spatial context. This study adopts an interdisciplinary approach, focusing on the holistic and synergistic way in which public art and architecture landscapes play out and form a synergy of design as important visual elements in urban spaces, within a regional perspective. This paper argues that existing research often studies public art separately from architecture landscapes, and focuses primarily on the separate design expressions of these two in case urban spaces. However, there is still a lack of a systematic design discussion at the regional level that focuses on the synergistic relationship that the two play in the city’s visual image. Considering these factors, this paper develops a synergistic public art-architecture landscape design model that can act on a regional scale from the standpoint of the spatial pattern of multi-cities coexisting in Shandong Province. Three major metropolitan areas of the province were considered as spatial objects of design analysis, and their design manifestations were studied. The three design strategies in the model, Structural Order-Oriented type, Landscape Narrativity-Oriented type and Adaptive Growth-Oriented type. They support each other and act as the core level influencing the way the inputs and outputs of the upper and lower levels are produced. Research indicates that this model can integrate the regional synergistic relationship between public art and architecture landscapes within a unified framework. These types of design strategies ensure the formation of an urban visual image in different environments, providing new ideas for regionalisation and systematic design of the urban visual image
Features of the Collaborative Design of Text and Icons in Signage for Child-Friendly Spaces
(2026) Skliarenko, Nataliia
This paper takes the collaborative relationship between text and icons in signage for child-friendly spaces as its research object, focusing on sign design in children’s hospitals, children’s libraries, children’s museums, and related public service and play environments. Unlike existing studies, which have largely approached the issue from a single perspective such as children’s cognition, environmental wayfinding, text readability, or icon recognizability, this study regards text and icons as interactive elements within the same unit of information. From the perspective of their collaborative relationship, it examines their combined role in spatial recognition, information comprehension, and experiential guidance in children’s spaces. The study adopts a combination of case analysis, comparative analysis, and visual induction, and constructs an analytical framework consisting of the formal dimension, semantic dimension, and guidance dimension. On this basis, a comparative study was conducted on nine representative cases of signage in child-friendly spaces. The findings show that the interaction between text and icons in such signage can be mainly summarized into three types: confirmation-oriented, semantic-cohesive, and experience-participatory. These correspond respectively to three core needs: rapid recognition, stable understanding, and active approach. Overall, effective collaboration is not primarily manifested in the synchronized formal transformation of text and icons at the level of visual styling, but rather in a configurational form of collaboration. In this relationship, text provides a stable framework for reading and hierarchical order, while icons assume the functions of differentiated identification, semantic cueing, and situational participation. This study provides an analytical and practiceoriented research framework for the design of signage in child-friendly public spaces, and also offers a reference for optimizing text organization, icon configuration, and text–image relationships in contemporary children’s spaces
Conceptual Foundations of the Design of Multimodal Symbolic Systems for Children’s Spaces
(2026) Skliarenko, Nataliia
Purpose. This article clarifies the conceptual foundations for designing multimodal symbolic systems in children’s spaces. It interprets the Perception–Action– Feedback (PAF) cycle as a design structuring logic and uses that logic to explain how visual, tactile, and auditory cues can work together as one spatial communication system. The aim is to show how multimodal cues can be organized coherently in child-centred environments. Methodology. The study adopts a systematic design-research approach that combines conceptual analysis, a synthesis of recent work on multimodal wayfinding and experiential graphic design, and a comparative reading of built cases. Three documented cases from museum and healthcare settings are examined to map how cue hierarchy, spatial sequencing, and confirmation mechanisms are structured through the PAF lens. The analysis is interpretive and design-oriented rather than experimental. Results. The article defines multimodal symbolic systems as spatial communication infrastructure and frames multimodality as coordinated cue organization rather than simple sensory layering. It develops a design-oriented reading of PAF in which perception supports identity and legibility, action supports movement and decision-making, and feedback supports confirmation and recovery. From this, the study derives a concise set of design implications and shows, through three cases, how the framework can be used to compare system organization across different children’s environments. Scientific novelty. The study reinterprets PAF as a design logic for multimodal symbolic systems and brings together a system-based account of identity, legibility, sequencing, and confirmation in children’s spaces. It also shifts discussion away from isolated cue variables toward the coordinated organization of symbolic environments. Practical relevance. The study offers a design-oriented framework that can support the planning and evaluation of multimodal symbolic systems in children’s spaces. Its results may be useful for designers, educators, museum planners, and healthcare professionals involved in shaping child-centered environments, particularly when organizing cue hierarchy, route sequencing, and confirmation mechanisms across different spatial settings.
Digital Transformation of Chinese Traditional Textiles: the Practice of Creating Generative Design Systems
(2026) Skliarenko, Nataliia
This paper proposes a practice-based framework for the digital transformation of Chinese traditional textile patterns. A methodological approach that combines digital tools with semiotic logic is outlined for heritage design patterns’ re-interpretation in contemporary practice-based design contexts. The approach fulfils a need for generative design and cultural relevance. This study employs computational design methodologies in conjunction with design semiotics to develop digital models which transform traditional patterns into a developed grammar of form through a process of computational deconstruction and encodement. The research is presented through a series of case studies which explore the methodology’s feasibility, generative potential and cultural integrity. Expert interviews and a visual preference test validate findings drawn from the research. The research results from the utilization of a parametric methodology in the design of patterns, generated with specific structural rules and varied by specific variables. The results show how technology was utilized in the culturally sensitive design for the local cultural user, more importantly the results show the enormous diversity of designs that can be generated whilst still working within the cultural remit and cultural user needs. This study develops a systematic generative approach to textile design, moving traditional and time-consuming manual replication to a computational method of design synthesis. Most importantly, novelty of this research is in establishing a connection between semiotic encoding of cultural data and parametric modelling for generation of modern textiles that function according to the logic of the culture studied. The framework provides an efficient, scalable toolkit for the fashion and digital media industries to revitalize traditional motifs. It resolves the conflict between cultural authenticity and design efficiency, offering a replicable model for the sustainable digital preservation and creative industrialization of intangible cultural heritage in a global context.
Model of Transforming Traditional Cultural Symbols into Dynamic Visual Images in the Design of Museum Mobile Application Interfaces
(2026) Skliarenko, Nataliia
Amid the digital revolution, the rapid proliferation of mobile technology has opened up new possibilities for the digital transformation of museums. As vital platforms for user experience, cultural dissemination, and public education, museum mobile applications use digital interfaces to deliver rich cultural resources to a broader audience. Against this backdrop, dynamic visual imagery with its unique expressiveness and interactivity, has become a core element connecting traditional cultural symbols with user perception. Through the use of animation, video, and other dynamic visual techniques, these symbols are infused with new vitality, significantly enhancing the aesthetic appeal and artistic quality of the interface. At the same time, dynamic visual imagery creates immersive interactive experiences that stimulate users’ curiosity and interest in learning, while evoking emotional resonance, thereby enabling the reshaping and continuation of traditional cultural symbols within a digital context. Consequently, this study focuses on the innovation and optimization of museum application interface design, exploring how to transform traditional static cultural symbols into vibrant dynamic visual imagery. Starting from the principles of symbol transformation and combining literature reviews with case studies, the study systematically distills three key principles: cultural identity, narrative immersion, and emotional resonance. Building upon this foundation, the study innovatively constructs a design model comprising three layers: the Aesthetic Expression Layer, the Technical Interaction Layer, and the Emotional Experience Layer. This model serves as a systematic, interdisciplinary design framework grounded in semiotics, interaction design, and emotional psychology. It establishes a design pathway that progresses from the visual translation of traditional cultural symbols to the dynamic activation of interactive mechanisms, and ultimately to a deep emotional connection with users. It provides systematic theoretical support and design insights for the dynamic transformation of museum application interface design.
Compositional features of visual elements in the design of museum application interfaces in China
(2025) Skliarenko, Nataliia
Purpose. The aim of the study is to identify the compositional features of the visual organisation of museum application interface elements in China. The identification of their aesthetic characteristics will provide a theoretical basis for future interface optimization. Methodology. This study employs systematic analysis, artistic analysis, and compositional analysis to conduct a multidimensional analysis of interface design. Systematic analysis focuses on the structural and functional relationships between various visual elements; artistic analysis explores the role of images, fonts, and colours in visual expression; and compositional analysis focuses on the impact of layout, visual hierarchy, and dynamic effects on user perception and interface experience. Results. This study systematically analyses the visual elements and compositional characteristics of the interface design of museum applications in China. The study finds that most interface designs integrate aesthetics, functionality, emotionality, and traditional Chinese cultural connotations into a compositional paradigm that conveys cultural arts and national aesthetics to users. This study focuses on four core visual elements: layout (emphasizes clear information hierarchy and spatial order); font design (highlights traditional art and readability); colour coordination (reflects traditional colours and modern vitality; icon design (prioritizes functional orientation and cultural symbol expression). Additionally, the integration of visual elements with animation effects enhances the interface’s interactivity and engagement, creating a dynamic visual experience that combines visual appeal with cultural immersion. The overall design embodies modularity, adaptability, and immersion, establishing a path for the deep integration of traditional cultural aesthetics with contemporary design expression. Scientific novelty. This study is the first to adopt a compositional analysis perspective, systematically integrating visual elements and aesthetic characteristics in interface design to explore their role in enhancing visual communication and cultural expression. Practice has proven that visual elements not only convey national culture and regional characteristics but also serve as important vehicles for cultural narrative and emotional resonance. Creating interface designs that combine cultural significance, aesthetic appeal, and interactivity can optimize user experience, enhance the overall brand image of museums, strengthen users’ cultural identity and national pride, and drive the future development of museum interface designs. Practical relevance. This study provides innovative ideas for optimizing the visual aesthetics of interface design. Designers and scholars can utilize the results of this research to develop more reasonable design strategies to adapt to changing user needs and technological developments, and to enhance the user experience and cultural communication effects of museum applications.
Features of colour visual image formation in the urban space of Shandong Province with consideration of regional aspects
(2025) Skliarenko, Nataliia
Purpose. The purpose of this study is to examine the role of colour in the visual image design of cities in Shandong Province based on the analysis of regional characteristics. Methodology. The study is based on the analysis of collected representative graphic materials from selected cities in Shandong Province using the visual sampling method, which allowed obtaining real visual information about the city. The manual colour extraction method is used to extract the dominant colour in the selected image material from a colour recognition website, record its HEX CODE and name it. Finally, the ‘The main theme’ colours of 10 cities in Shandong Province were extracted using colour analysis. Based on their art historical analysis, which includes an analysis of colour trends, cultural background, and urban development orientation, their spatial colour characteristics and visual images were highlighted to form a system of colour representation with narrativity and locality. Results. The study of urban colour characteristics based on regional aspects demonstrates the diversity of urban colours in Shandong Province and explains the importance of colour in urban development. The colour types of cities in Shandong Province are classified and four categories of urban colour system are distinguished: Coastal freshness, Ecologically wilderness type, Cultural warmth type and Comprehensive type. Each type also presents colour structure and visual characteristics that are closely related to the natural geography and cultural background of the local urban area. The results of the study indicate that regional environment and urban characteristics are inextricably linked in the urban colour system. Scientific novelty. Based on regional aspects, the study proposes for the first time a method for classifying the visual image of urban colours based on geographical environment, history and humanities, and urban functions. Compared with previous studies focusing on the colour of individual urban regions, considerable attention is paid to the visual correlation between the colour structure and the overall unity of urban space, which highlights the aesthetic value and systematic role of the urban colour system. Practical relevance. The research results provide a clear classification basis and methodological support for the design of urban visual image and related urban colour research. The proposed classification of urban colour systems can provide designers with effective design guidelines for their visual practice in different cities. In addition, the research contributes to the formation of a more holistic visual space of the city, the enhancement of public identity, and the enhancement of regional content communication to create a more accurate and vivid image of the city.

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